Dance Movements Sparke Pdf Files
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Sparke: Dance Movements (measures 27-66) Mauržce Rave! Tempo di Bolero moderato assai : 72 Z! Trommel 1929 by Editions ARIMA Ltd et DURAND S.A.
Dance MovementsDance Movements wascommissioned by the United States Air Force Band and first performed by them atthe Florida Music Educators’ Association Convention in January 1996.It is cast in fourmovements which play without a break; the second and third feature woodwinds andbrass respectively.In many respects, thecircumstances of the commission itself were the musical inspiration for thepiece: I had been asked to write for a very large band, which included piano andharp. It was the first time I had used these instruments in a concert band scoreand (as in Stravinsky’s Symphony in Three Movements) their presence colouredthe score and, indeed, the type of music I wrote.The four movements are alldance-inspired, although no specific dance rhythms are used.
The first has aLatin American feel and uses xylophone, cabasa, tambourine and wood block togive local colour. The second woodwind movement uses a tune that had beenplaguing me for some time and is, I suppose, in the style of an English countrydance. The brass movement was composed without a specific dance analogy, but Ithink it can been seen as a love duet in classical ballet. The fourth andlongest movement has, I hope, cured me of a ten-year fascination, almostobsession, with the music of Leonard Bernstein and I will readily admit that itowes its existence to the fantastic dance music in West Side Story.1.
RitmicoThe opening theme on hornsand saxophones is played amidst stabbing chords from the top and bottom of theband. A gentler theme follows on piccolo and clarinet, followed by the flute,oboe, trumpet, harp and glockenspiel. The main motif of the movement thenarrives, which includes a dotted rhythm, which is to recur at all significantmoments. A climax is reached and an angular figure follows on oboes, saxophonesand clarinets.
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Previous material then reappears to bring the movement to aclose.2. Molto Vivo (for theWoodwinds)The second movement startswith a rustic dance tune, which is continually interrupted. It passes throughvarious keys and stages of development until a bubbling ostinato arrives onpiano, harp, glockenspiel and cello. Over this, the oboe lays a languid tune,which is then taken up by soprano and alto saxophones.
Clarinets and lower windsintroduce a new idea; it is built on 9 th and 11 th chords,highly syncopated and interspersed by snatches of the ostinato. Eventually theoboe theme reappears, accompanied by the lower wind chords. The dance tune thenestablishes itself once more and reaches a climax before winding down to aclose.3. Lento (for the Brass)The third movement openswith whispering muted trumpets, harp and vibraphone. Declamatory statements fromhorn and trombone answer each other and a slow and majestic chorale getsunderway.
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Trumpets join to reach a climax where the original trombone statementreappears, bringing back the opening trumpets figures.4. Molto ritmicoThe final movement burstsinto life with a passage featuring the percussion section. The whole band thenjoins in until a driving bass ostinato establishes itself. Melodic snatches arethrown around the band until a gradual crescendo leads to a unison passage forthe entire band. A robust theme appears on horns and saxophones but eventuallythe earlier sinister music returns.
After a short pause a plaintive tune on the woodwinds leadsto a more rhythmic one on the brass but it is not long before the percussionremind us of the opening of the movement and the ostinato reappears. The robusthorn tune is this time played by the full band but the moment of triumph isshort and a running passage appears which starts in the bottom of the band butworks its way to the upper woodwinds. Eventually the brass plays a noble fanfarewhich dispels the darker mood and ends the movement in a blaze of colour.